![]() ![]() Its first two studio albums - 1967’s “The Piper at the Gates of Dawn” and 1968’s “A Saucerful of Secrets” - saw the group refine the impressionistic innovation of its live performances to remarkable results. Under the formative, though also short-lived, leadership of Syd Barrett, Pink Floyd would find initial success in the pop charts with idiosyncratic tunes like “See Emily Play” and “Arnold Layne.” Spacey and cacophonous, protracted jams like their early signature “Interstellar Overdrive” often sounded less like traditional songs than transmissions from the celestial beyond: thunderous psychedelic experiments blasted ( as one CBC Radio host aptly put it in 1966) through “an array of equipment sadistically designed to shatter the nerves.” Through performances at London’s short-lived UFO Club, it had made itself the toast of the city’s burgeoning countercultural underground with extended and freewheeling instrumental odysseys that saw the band members themselves showered in a frenetic symphony of colour and light. Formed a decade earlier amid the white heat of Britain’s postwar musical revolution, the group had quickly traded its roots in American rhythm and blues for a sound more in sync with the transgressive spirit of the late 1960s. The summer of 1975 marked a distinct moment in the life of the now legendary English rock band Pink Floyd.
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